Essay about Mannerism in Florence and Rome - 2819 Words

Mannerism in Florence and Rome - considered to be more self- consciously artificial - derived from aspects of Raphael and Michelangelo - cold formalism was considered to be inner vision Rosso - (1494-1540), Italian painter, whose early works helped define Italian mannerism - later was a founder of French mannerism - was born Giovanni Battista di Jacopo di Guasparre in Florence - early work had odd perspectives, violent colors, and harsh lighting - 1523 Rosso moved to Rome, where he was influenced by Italian artist Michelangelo and Italian mannerist painter Parmigianino - work then acquired new beauty and expressed more tempered emotions Pontormo - (1494-1557), Italian painter, whose style is marked by elongated†¦show more content†¦- not as much as unique personality or individualistic - lavishly ornate costume Anguissola - (1527-1625), Italian painter, who specialized in portraits and was an important role model for other female Italian artists - Born in Cremona, Anguissola was the eldest and best known of six sisters, all of whom were artists - early works were mostly self-portraits and portraits of her family Portrait of the Artists Sister Minerva - said that her best work was of relatives - intimate, charming portraits Mannerism in Venice Tintoretto - (1518-1594), Venetian painter, one of the foremost artists of the late 16th century - studied briefly with Venetian master Titian and also studied the works of Florentine mannerist painters Michelangelo and Jacopo Sansovino - incorporated these artists different techniques, with striking results, in his paintings of the 1540s - spatial illusions, and intense colors to create an impression of action - later intensified his style, with techniques such as contrasts of brilliant light and cavernous dark that made color relatively insignificant, eccentric viewpoints, and extreme foreshortening to heighten the drama of the events portrayed -smoke from oil lamp turns into clouds of angels -Christ offers bread and wine as body and blood, to the apostles -Judas is seen on the far side, can be confused with an attendant El Greco -greatest mannerist painter, named Domenikos Theotocopoulos, El Greco -came to Venice to learn fromShow MoreRelatedEssay about Architectural Forms in the Mannerist Period924 Words   |  4 Pagestop of a faà §ade. 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